Taylor Swift’s ‘Reputation’ And ‘1989 (Taylor’s Version)’ Have Something In Common
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LOS ANGELES, CALIFORNIA - FEBRUARY 04: Taylor Swift attends the 66th GRAMMY Awards at Crypto.com ... [+]
Arena on February 04, 2024 in Los Angeles, California. Taylor Swift's 1989 (Taylor’s Version) and
Reputation both manage to return to Billboard's Top Streaming Albums chart this week, upping her total
number of wins to six. (Photo by Neilson Barnard/Getty Images for The Recording Academy)
Getty Images for The Recording Academy
Taylor Swift is the rare musician who overperforms when it comes to both sales and streams of her music.
She regularly ranks among both the bestselling and most-streamed artists in the U.S., and, often, the
world.
The singer shows how popular she remains on platforms like Spotify and Apple Music this week on
Billboard’s Top Streaming Albums chart. Swift fills half a dozen spaces on the ranking, with two of
those present titles returning to the ranking.
Between her pair of comebacks, 1989 (Taylor’s Version) ranks as the top performer. That former No. 1—one
of her two career leaders—re-enters the Top Streaming Albums tally at No. 42.
Meanwhile, one of her most talked-about projects—and perhaps even controversial, in some respects—isn’t
far behind. Reputation settles at No. 44 this week on the Top Streaming Albums chart.
Of those two titles, 1989 (Taylor’s Version) is easily the more successful. It’s one of Swift’s only No.
1s on the Top Streaming Albums list, in addition to The Tortured Poets Department. The re-recorded take
on 1989 has also spent more time on the tally than her other returning favorite, as it’s now up to 48
frames on the roster. Reputation has yet to reach 40 stays.
1989 (Taylor’s Version) and Reputation may be enjoying another turn in the spotlight, but they currently
appear as Swift’s lowest-ranking releases on the Top Streaming Albums chart. Four other holdovers find
space above those projects, including one top 10 smash.
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The Tortured Poets Department lifts a few rungs to make a home at No. 8. Lover and Midnights appear
back-to-back, climbing to Nos. 26 and 27, respectively. Further down on the list comes Folklore, which
improves slightly to No. 33.
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Hugh McIntyre
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